“I’m not going to shoot you between the eyes, John, I’m going to shoot you between the balls!” But no – the gun goes off, Carlito falls to the ground, and in Pacino’s trademark husky voice, delivers a moving final monologue. Even though we see Al Pacino’s ex-convict Carlito Brigante shot in the very opening scene – with the rest of the movie essentially an extended flashback – we still hope that, somehow, Carlito will finally manage to get on the train and escape his fate this time. No matter how many times we see Brian De Palma’s sublime crime drama Carlito’s Way, the conclusion always has us weeping softly into our hats. Hauer added that final “tears in rain” line himself, and it’s truly a magical one. Poetic dialogue is given an added layer of brilliance thanks to Rutger Hauer’s imposing yet humane performance as replicant Roy Batty, a character looking for an extension on his brief life, and then facing up to his inevitable end with dignity. The most moving send-off in sci-fi history? Quite possibly. All those moments will be lost in time, like tears in rain. I watched C-Beams glitter in the dark near the Tannhauser Gate. Attack ships on fire off the shoulder of Orion. “I’ve seen things you people wouldn’t believe. The cyborg’s seemingly unstoppable strength makes Matt’s line both blackly comic and faintly sad – like watching a squirrel wrestle with a mechanical digger. The boyfriend of Sarah Connor’s flatmate Ginger, he launches himself into a brave yet quite stupid hand-to-hand fight with the Terminator. Instead, we’ve plumped for this one, which comes from minor character Matt Buchanan. Our first thought was to include Bill Paxton’s short-lived punk, whose sign off is the fateful line, “Wash day tomorrow – nothing clean, right”, before he’s killed by a profoundly naked Arnold Schwarzenegger. When it came to The Terminator, we were torn between two great utterences from otherwise minor characters. His final, woozy recital of Daisy Bell is an unforgettably poignant moment – almost as much as the time my ZX Spectrum 48K+ died after I accidentally poured cola all over it in 1989. By turns dryly witty, eerie and then plain sociopathic, it’s during his final moments – as space traveller Dave Bowman gradually unplugs the bits of hardware that keep his mind ticking over – that we realise just how human he is. It’s a testament to the quality of the writing and design in 2001: A Space Odyssey that the artificially-intelligent computer HAL stands as the movie’s most memorable character. But you’ll look sweet upon the seat of a bicycle built for two…” It won’t be a stylish marriage, I can’t afford a carriage. It’s the essence of any good thriller that, for a while, you believe in the bogeyman.“Daisy, Daisy, give me your answer do. And Michael Myers, the killer, is definitely repressed. Laurie, Jamie Lee’s character, was shy and repressed. “In HALLOWEEN, I viewed the characters as simply normal teenagers. All you have to do is ask what frightens you and you’ll know what frightens me.”ĩ. That’s what makes horror such a powerful genre. That was a journey I couldn’t be bothered to go on.”Ĩ. Sure enough, they shot the original script, previewed it, got booed off screen and went back and shot the ending you see today. The audience was always gonna want to see the wife shoot the bitch. I knew the audience was never going to buy that. Also, the original version, the script I read, had Glenn Close winning in the end by killing herself and thereby getting the moral upper hand. “There wasn’t a grain of originality in it – it was PLAY MISTY FOR ME with Michael Douglas filling in for Clint Eastwood. ” THEY LIVE was made in response to the Reagan years.”ħ. ![]() In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don’t understand. “There are two different stories in horror: internal and external. It is always flattering to have somebody copy you.”ĥ. “One could make money and get a career going with a low-budget horror film about killers attacking on holidays. “Everyone who ever made a low-budget film was influenced by NIGHT OF THE LIVING DEAD”.Ĥ. “In France, I’m an auteur in Germany, a filmmaker in Britain a genre film director and, in the USA, a bum.”ģ. If the critics start liking my movies, then I’m in deep trouble.”Ģ. ![]() I wear each of my films as a badge of pride. I don’t want to be a part of the demographics. Ironically, though, his enormous career hasn’t featured a single feature length cowboy film, with Carpenter establishing himself as a “brand” writer-director largely in horror and sci-fi. Here are 15 John Carpenter Quotes that shed light on his extraordinary career, and that screenwriters and film makers can learn from.ġ. ![]() He claims that horror as a genre found him, not the other way round. John Carpenter entered film wanting to make cowboy films. 15 John Carpenter Quotes Writers & Filmmakers Can Learn From
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